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Amelia Rosselli’s “Obtuse Diary” at Open Books

By | Readings

Thanks to Open Books for hosting the book launch for our new translation of Amelia Rosselli’s “Diario Ottuso/Obtuse Diary” by Deborah Woodard, Roberta Antognini and Dario De Pasquale. 

Here’s a short segment from the last section of the book, “Obtuse Diary” read by Deborah Woodard and actor, Riccardo Pieri.  I thought this presentation of a bilingual text was really effective and an imaginative way for an (primarily) English-listening audience to comprehend the meaning, while still hearing the sound of the work. 

M Seven Bremner Photo by Harry Edwards

M. Seven Bremner at the Jackson Street Jazz Walk

By | Fests and Book Events, Music

We are once again proud sponsors of the Jackson Street Jazz Walk, happening along Jackson Street and within walking distance of Enter Ríos HQ on Saturday night! For four years, I was the organizer of this event and one of the things I am proud of is always finding a way to include poets: spoken word mic, Fresh Roots, Paul Nelson read last year, William Curtis…

This year, we are happy to bring M. Seven Bremner to the parking lot at Pratt for some impromptu poetry. Marlene Seven Bremner (Seven) was born in Frankfurt, Germany in 1983, and currently resides in Olympia, WA. She was first introduced to the Poem Store in 2015 and fell in love with the spontaneity of it and the opportunity to connect with her community through poetry. You can find her with her vintage Olivetti Lettera 22 typewriter at the Olympia Farmer’s Market and the Ballard Farmer’s Market in Seattle, typing custom poems based on any topics you provide. When she’s not at the markets you can find Seven writing and painting in her downtown Olympia studio.

Why are they are in the parking lot at Pratt now? Because our venue where we had some awesome spoken word mics complianed the poets didn’t drink as much as the jazz listners/musicians… so you know, poets, some folks have drinking goals for you! Ha!

So learn more about Seven on these links and come get a poem while listening to great music and checking out the art scene at Pratt Fine Arts Center.

Poetry Website: www.yourtopicyourprice.com
Instagram: @m7artist
Facebook: https://www.facebook.com/marlenesevenbremner.art/

AND HERE IS THE LINK TO THE JACKSON STREET JAZZ WALK FACEBOOK PAGE!!!

Aaron Otheim Woodland Score

Recording for “Woodland”

By | Books

We’ve been over at Jack Straw doing the base recordings for Woodland— a project that becomes our eleventh book, out in March of 2019.

I’d like to tell you most about the incredible Seattle pianist Aaron Otheim, because the writer is the publisher here at Entre Ríos Books, me (and so that just feels a bit awkward). For folks on the experimental jazz side of music in Seattle, you might know Aaron from his years organizing the Cafe Racer Sessions (RIP, CAFE RACER). He’s phenominal, has interest in all kinds of genre-bending music, and so we highly recommend you take a listen to his work on SoundCloud.

Last summer, a batch of quite broken writing started happening for me during the weeks of hazy dreadful smoke-filled days we had due to fires in British Columbia and then Oregon. As it became very clear that I was writing about fire, I thought it might be interesting to base the center section of the book around the music of Edward McDowell (1860-1908), and in particular, “Woodland Sketches”— popular, beautiful parlor music. It’s racist, it’s sexist, it’s completely of it’s era of industrialization and the beginnings of mass-markets. I asked Aaron to think about updating it for the era of climate change and endless fires. Riffing on an idea of mine, he took the score and burnt it, altered it with the goal of making it “sound like ash”.

So here’s a short video showing some of the process as the end music won’t be like this— but the process to me is so intriguing. Jack Straw has a great piano and set up the mics around the room to allow Aaron great control in mixing the soundfield. With plenty of takes, improvisations, and experiments with the instrument, he’ll take these recordings to add electronic sounds and alterations.

Like all our books, this one comes with an audio download— so when you buy the book, you’ll have the password to download his new music. That download will also come with my reading of the book— and I am planning on some version that will also include some experiments in sound design.

 

Here’s an early experiment on my side with sound. I can’t say this is the final— it’s a process!

Vicinty Memoryall Deavel Marshall Press check

Press Check! Our first play, Vicinity/Memoryall!

By | Books, Learning How to Be a Publisher

I knew that we’d likely be able to bring back from the Midwest industrial printers this book for local printing. It’s a simple “saddle stich”, that is stapled booklet, meant to reference (and celebrate) the Dramatist Guild playbooks. I’ve got great memories of these functional playbooks from drama club in high school and so it was with great happiness that the writers, Christine Deavel and J.W. Marshall, also were intrigued to put the play in this format.

It’s the same size, the same tight gutters, and really designed to be used by actors, with page breaks made thinking through how actors might memorize their lines. I’ll be curious to chat with them on it as this play moves into production. Printing in this format also helps keep our cost down so I am hopeful we can print another play soon by Northwest playwrights or poets turning toward play writing.

I am very happy to be printing with Girlie Press, a woman-owned small business that I can walk to. How wonderful to not have to pay shipping as well as reducing the carbon from that. I’ve only done a few press checks and feel quite silly at them, though it’s exciting to see if how you imagine it printing is going to be the way it actually works in the real world.

I’ll be mostly curious to put this book next to the Dramatist Guild books and see how it feels. Will it feel ready to use for work?

Vicinty Memoryall Deavel Marshall Press Check Title PageVicinty Memoryall Deavel Marshall Press check 3

New Citizens!

By | Thoughts

For those that follow us on Twitter, you know that I’ve been distraught and outraged by Trump Administration’s immigration policies and tactics. So I’ve been going to protests, donating money, educating myself on the topic — it’s brutal and yes, Obama, was brutal too — and rage tweeting. It’s true.

My husband and I celebrated the 4th of July by doing something new to me: going to the Naturalization Ceremony at the Space Needle. It wasn’t his first, he became a naturalized citizen in Boston twenty years ago! Though a tiny bit of Facebook, we also helped spread the word of the event, though unfortunately did not meet up with any of our readers also there cheering on our new citizens!

It was fantastic to be out cheering for something positive rather than raging against all the negativity. Congrats to our new citizens! Thank you! Thank you! Thank you!

Seattle Citizenship Ceremony 2018

Our next books… getting closer

By | Books, Learning How to Be a Publisher

After having rough start to the year with some health problems and learning how to manage new books while working on marketing the previous books, we’re getting very much back on track and proofs are starting to head out the door for our next round of books.

The pre-order pages up in a month or so and our official publication date is still October 5th!

Erin L McCoy poet editor

Our new editor! Welcome, Erin McCoy!

By | Learning How to Be a Publisher

It is with great pleasure and excitement, that Victor and I are announcing bringing on our first editor to assist me with the press! Please welcome Erin L. McCoy!

One of our press goals is to have one book a year in translation that helps broaden our understanding and connections with Argentinian literature, history and culture. Erin is joining Entre Ríos as an acquisitions editor and will be looking for the right mix of Argentinian poetry in translation for our press.

Erin is a Seattle-based poet, scholar, book editor, and educator in Spanish and Latin American literature and creative writing. She is also an award-winning photojournalist. Her poem, “Futures,” was selected by Natalie Diaz to be published in Best New Poets 2017. Her work has also appeared in Bennington Review, Pleiades, DIAGRAM, Cimarron Review, CURA, and other publications.

Erin holds an MFA in Poetry and an MA in Hispanic Studies from the University of Washington. She has been the recipient of a Fulbright Fellowship, a Critical Languages Scholarship, the University of Washington’s Grace Milliman Pollock Scholarship, and the Oakley Hall III Memorial Scholarship to attend the Community of Writers in Squaw Valley, California, among other awards. She is from Louisville, Kentucky.

While the majority of our projects get started through other means than submissions and queries, do know we are always interested in hearing from translators working with modern or contemporary Argentinian poetry or hybrid models, so do drop us line if that’s a focus of your poetic work.

“All the Marys”: A review by Hannah VanderHart

By | Reviews

“This is not a white-washed collection of lyric-narratives—rather, Mueller’s work enacts historical-poetic recovery. Mary’s Dust is a stay against that particularly American vice contemporary historians discuss: amnesia (in this case, the individual histories of slaves and the achievements of persons of color). Mueller does not let us forget, but weaves her poetry as tapestries, so that we can also look and see.”

Hannah VanderHart writes about Mary’s Dust recently in the U > Read the Full Review here: Up the Staircase “All the Marys”.

In the review, Ms. VanderHart offers a lengthy quote from “Ledger.” We think this is one of the most intense poems of the last year and so we’d like you to get a chance to hear and see it in its entirety…and we include the full text at our Sound Cloud page.

And here is the somber note for the poem.